Sarasa with Decoration of the Tale of Krishna

India, 17-18th century　Resist-dyed and mordant-dyed cotton
128.5cm x 110.8cm

Sarasa, akin to calico, has been known since ancient times for its brilliant colors and praised around the world for its colorfastness. Many varieties of sarasa have been produced in accordance with the demand of importers. This type is thought to have been made for domestic use for wall hangings at religious institutions. In addition to the vivid colors of the dyes, thick gold paint increases its splendor.
Two women stand face-to-face under a tree heavy with mangos. One holds a fan of peacock feathers and flowers, while the other one holds a ritual implement in the shape of a brush. From the objects they hold, they are thought to be Gopi, or female cowherds, waiting for the manifestation of the deity Krishna as an incarnation of Vishnu. Although Krishna is not depicted, a mango tree is thought to indicate Krishna’s presence indirectly, as is a story involving Krishna’s hiding in a tree with a Gopi’s sari. Peacocks, birds and small animals like squirrels can also be seen around the leafy tree. Looking closely, we see many of these small animals are in pairs. The whole image is full of happiness befitting a symbolic representation of Krishna, the god of love.